COSIMO FIASCHI, MICHAL BIEL
REMINISCENZE
Zoomin’ Night 2024

Reminiscenze: vague and distant memory, nearly lost in oblivion. Form and structure of the past to which the author refers consciously or unconsciously.
The pieces aim to translate the sound quality of the voices of Renaissance music into acoustic saxophones through the use of multiphonics.

The structure of the composition Reminiscenze is based on In te domine speravi by an anonymous composer, Miserere mei Deus by Fabrizio Dentice and Per non dir ch’io moia by Michelangelo Rossi. The material of coda is based on common cadenzas used in the Mannerism period while the form refers to Extended Circular Music n. 4 by Jürg Frey.

Recorded in Copenhagen in July 2020 and February 2022, mixed and mastered by Michał Biel.

Artwork by Vieri Cervelli Montel, based on Nudo maschile di profilo (1517-1518) by Jacopo Pontormo.

SAMUEL REINHARD – Movement

All compositions by Samuel Reinhard

Piano performed and recorded by Samuel Reinhard

Bass flute performed and recorded by John Also Bennett

Baritone sax performed and recorded by Michal Biel

Cello performed and recorded by Leila Bordreuil

Pedal harp on “No. 1” and “No. 4” performed and recorded by Shelley Burgon

Double bass performed and recorded by Vincent Yuen Ruiz

Produced and mixed by Samuel Reinhard
Mastered by Stephan Mathieu I Schwebung Mastering
Lacquer cuts by LUPO
Artwork by Jeff Rossi
Typeface by Kaj Lehmann
Design by Coline Houot

© + ® Hallow Ground & Präsens Editionen 2024